In addition, Ligozzi designed overslips for several illustrations, which when lifted reveal another view hidden beneath. Ligozzi’s drawings, subsequently etched by Raffaello Schiaminossi or engraved by an anonymous engraver (most likely Domenico Falcini), appeared as full-page plates in the Descrizione del Sacro Monte della Vernia ( Description of the Sacred Mountain of La Verna), one of the great illustrated books of the period.Įach illustration includes a lettered key so readers can explore the topographical features and their associated stories. Moroni commissioned Ligozzi to illustrate the experiences of Saint Francis on the mountain, as well as to render the breathtaking topography of the site. In 1608 the Franciscan brother Lino Moroni invited Jacopo Ligozzi (1547–1627), a gifted draftsman who was the head of the Academy of Drawing in Florence, to accompany him to La Verna. This is probably the truest depiction of La Verna made before Jacopo Ligozzi created his designs for the illustrated guide to La Verna in 1608. The Little Church of Saint Mary of the Angels (built under Francis’s direct supervision) abuts the large church (built between 13) seen next to a bell tower, while the Chapel of the Stigmata (built in 1263 over the site where Francis experienced his stigmatization) is the farthest building to the left. Although the isolated mountaintop in the background rises imaginatively high above the countryside, Ghirlandaio seems to have observed the buildings closely, rendering them with remarkable accuracy. A rare exception is found in a fresco of Saint Francis receiving the stigmata painted by Domenico Ghirlandaio between 14 in a chapel in Florence. Before the 17th century, most artists relied on their imaginations to depict La Verna. The Franciscan order grew rapidly and set about commissioning the most talented artists of the day to decorate its churches. Today the Sanctuary of La Verna remains an active monastery and, after Assisi, is the second-holiest site for the Franciscan order. He bore those wounds for the remaining two years of his life. As the seraph departed, the wounds of Christ’s crucifixion, called the stigmata (nail marks through the hands and feet, a piercing of the torso), appeared on Francis’s own body. According to early accounts, the answer to his prayer came in a vision of a fiery six-winged angel, or seraph, bearing the image of Christ crucified. The friar withdrew to this mountain with his companion Brother Leo in September 1224 for a 40-day fast and contemplation of Christ’s Passion, during which he prayed fervently to share in Christ’s suffering. Tucked into the wilderness east of Florence, La Verna features a solitary peak, known as Monte Penna, and is covered with a forest of beech and fir trees. Clare’s Lounge (sunroom), Quiet Room, Pray Room and Oratory, the Friary Chapel and the gardens.In 1213 Count Orlando Catani of Chiusi gave Francis a mountainous parcel of land called La Verna to use as a place of retreat. Private guests have access to all the communal spaces within the Centre. Individual days of prayer can be arranged with the Retreat office.Īccommodation can be booked for:- Bed & Breakfast (Continental breakfast) Half-Board (Bed & Breakfast and Evening Meal) Full Board (All meals provided including afternoon tea) There is no supplement for single occupancy. Rooms and meals can be booked for a day or longer, subject to availability. A visit to La Verna is a precious time for resting, reflecting and rejuvenating. Take in the breathtaking view across Donegal Bay while you rest and reflect in the beautiful gardens, pray at the Franciscan shrines or stroll the beach. The setting is idyllic - a green oasis overlooking the Atlantic Ocean. Private guests are always welcome at La Verna Retreat Centre whether they are looking for a short break or seeking time out for reflection. La Verna retreat Centre offers 17 Twin En-Suite rooms for Retreats and Private Stays.
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